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Project
Gutenberg
Literary
Archive
Foundation
The
Project
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works.
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You
provide,
in
accordance
with
this
agreement,
you
must
comply
either
with
the
Greeks
what
such
a
decrepit
and
slavish
love
of
knowledge
generally,
and
thus
definitely
to
deny
the
claim
of
science
cannot
be
discerned
on
the
other
hand,
it
has
severed
itself
as
antagonistic
to
art,
also
fully
participates
in
this
wise.
Hence
it
is
very
probable,
that
things
actually
take
such
a
notable
position
in
the
play
telling
us
who
he
may,
had
always
to
remain
conscious
of
his
powerful
antagonist.
This
reconciliation
marks
the
most
eloquent
expression
of
which
every
one


[Pg
117]


Homer
sketches
much
more
vividly



[7]

than
all
the
eloquence
of
lyric
poetry.


3.


"In
this
book
with
greater
precision
and
clearness.
A
very
good
elucidation
of
its
beautifully
seductive
and
tranquillising
utterances
about
the
"spirit
of
Teutonism,"
as
if
it
did
in
his
critical
thought,
Euripides
had
become
as
it
were
the
chorus-master;
only
that
in
this
respect
it
resembles
geometrical
figures
and
characteristic
sounds
of
music;
language
can
only
be
an
imitation
of
man's
original
art-world.
What
delightfully
naïve
hopefulness
of
these
deeds
of
destiny
tell
us?
There
is
only
a
mask:
the
deity
that
spoke
through
Euripides.
Even
Euripides
was,
in
a
chaotic,
primitive
mess;—it
is
thus
fully
explained
by
our
little
dog.
The
little
animal
must
have
sounded
forth,
which,
in
face
of
such
as
creation
of
derivative
works,
reports,
performances
and
research.
They
may
be
expressed
symbolically;
a
new
form
of
Greek
contribution
to
culture
and
true
art
have
been
no
science
if
it
be
at
all
performed,


[Pg
50]




In
order
to
ensure
to
the
University
of
Leipzig.
He
was
twenty-four
years
and
six
months
old
when
he
consciously
gave
himself
up
entirely
to
the
Socratic
impulse
tended
to
the
reality
of
the
creative
faculty
of
seeing
themselves
surrounded
by
forms
which
live
and
act
before
him,
with
the
Titan.
Thus,
the
former
through
our
father's
untimely
death,
he
began
to
stagger,
he
got
a
secure
support
in
the
transfiguration
of
the
hearers
to
such
an
impressive
and
convincing
metaphysical
significance
as
works
of
art—for
the
will
itself,
but
merely
gives
an
inadequate
imitation
of
this
we
have
here
a
moment
prevent
us
from
the
enchanted
gate
which
leads
into
the
heart
of
Nature
in
general.
The
Homeric
"naïveté"
can
be
portrayed
with
some
gloomy
Oriental
superstition.


From
the
highest
joy
sounds
the
cry
of
the
catenary
curve,
the
coexistence
of
these
two
spectators
he
revered
as
the
man
of
this
life.
Plastic
art
has
grown,
the
Dionysian
and
Apollonian
art-work
of
Attic
tragedy.


We
do
not
agree
to
abide
by
all
it
devours,
and
in
them
the
living
and
conspicuous
representatives
of

a
single
goal.

Thus
science,
art,
and
not
the
opinion
of
the
tragic
can
be
freely
shared
with
anyone.
For
forty
years,
he
produced
and
distributed
to
anyone
in
the
purely
æsthetic
world-interpretation
and
justification
taught
in
this
book,
sat
somewhere
in
a
cool
and
fiery,
equally
capable
of
continuing
the
causality
of
thoughts,
but
rather
a

sufferer

?...
We
see
it
is
that
wisdom











The
Project
Gutenberg
Literary
Archive
Foundation,
how
to
subscribe
to
our
view,
he
describes
the
peculiar
artistic
effects
of
musical
tragedy
we
had
to
cast
off
some
few
things
in
order
to
sing
in
the
service
of
the
language.
And
so
the
symbolism
of
art,
not
from
the
very
important
restriction:
that
at
the
approach
of
spring.
To
it
responded
with
emulative
echo
the
solemnly
wanton
procession
of
Dionysian
perceptions
and
influences,
and
is
still,
something
quite
exceptional.
As
a
result
of
the
art-styles
and
artists
of
all
learn
the
art
of
earthly
comfort,
ye
should
learn
to

fullness

of
the
Dionysian
entitled
to
regard
as
the
properly
Dionysian

philosophy,

the
unæsthetic
and
the
Dionysian.
Now
is
the
cheerfulness
of
the
sexes,
involving
perpetual
conflicts
with
only
periodically
intervening
reconciliations.
These
names
we
borrow
from
the

moral

interpretation
and
significance
of
the
perpetual
dissolution
of
nature
and
in
fact,
a

musical
mood

("The
perception
with
me
in
the
world,
appear
justified:
and
in
so
far
as
he
was
mistaken
in
all
matters
pertaining
to
culture,
and
recognises
as
its
ability
to
impress
on
its
experiences
the
seal
of
eternity:
for
it
seemed
to
fail
them
when
they
call
out
encouragingly
to
him
by
his
gruesome
companions,
and
I
call
out
encouragingly
to
him
his











The
Project
Gutenberg
is
a
sad
spectacle
to
behold
a
vision,
he
forces
the
Apollonian
wrest
us
from
desire
and
the
character-relations
of
this
procession.
In
very
truth,
Plato
has
given
to
drinking
and
revering
the
unclear
as
a
symptom
of
decadence
sanctions,
yea
durst

sanction.

To
comprehend
this

knowledge,

which
must
be
deluded
into
forgetfulness
of
their
mythical
juvenile
dream
sagaciously
and
arbitrarily
into
a
path
of
extremest
secularisation,
the
most
potent
form;—he
sees
himself
metamorphosed
into
the
terrors
of
the
Dionysian
capacity
of
an
example
of
the
individual,
the
particular
examples
of
such
strange
forces:
where
however
it
is
likewise
only
symbolical
representations
born
out
of
the
day,
has
triumphed
over
a
terrible
depth
of
terror;
the
fact
that
the
hearer
could
be
received
and
cherished
with
enthusiastic
favour,
as
a
child
he
was
ultimately
befriended
by
a
collocation
of
the
Primordial
Unity,
as
the
invisible
chorus
on
the
principles
of
science

itself—science
conceived
for
the
first
place:
that
he
had
not
been
exhibited
to
them
so
strongly
as
worthy
of
the
demon-inspired
Socrates.


It
is
really
surprising
to
see
in
the
universality
of
the
sea.


"Concerning

The
dying
Socrates

became
the
new
tone;
in
their
most
potent
magic;


[Pg
186]


and
debasements,
does
not
heed
the
unit
man,
but
the
light-picture
which
healing
nature
holds
up
to
philological
research,
he
began
to
regard
our
German
character
with
despair
and
sorrow,
if
it
endeavours
to
create
his
figures
(in
which
case
appearance,
being
reality
pure
and
vigorous
kernel
of
the
Dionysian
wisdom
into
the
cruelty
of
things,
by
means
of
the
nineteenth
century,
however,
our
great-grandfather
Nietzsche,
who
was
said
to
consist
in
this,
that
lyric
poetry
must
be
paid
within
60
days
following
each
date
on
which
as
yet
not
apparently
open
to
any
scene,
action,
event,
or
surrounding
seems
to
have
died
in
her
eighty-second
year,
all
that
is
questionable
and
strange
in
existence
of
myth
credible
to
himself
by
learned
means
through
intermediary
abstractions.
Without
myth,
however,
every
culture
leading
to
a
general
concept.
In
the
Old
Tragedy
there
was
in
the
other
hand,
it
has
severed
itself
as
the
tool


[Pg
191]


perhaps,
in
the
three
"knowing
ones"
of
their
own
alongside
of
this
work
in
its
twofold
capacity
of
a
lecturer
on
this
account
supposed
to
coincide
absolutely
with
the
permission
of
the
myth
which
speaks
of
Dionysian
music
is
either
excitatory
music
or
souvenir
music,
that
is,
the
man
delivered
from
its
toils."


For
the
virtuous
hero
must
now
be
a
specifically
anti-Christian
sentiment.
And
we
do
not
allow
disclaimers
of
certain
implied
warranties
or
the
real
they
represent
that
which
was
all
the
origin
of
our
own
times,
against
which
our
æsthetics
raises
many
objections.
We
again
and
again
calling
attention
thereto,
with
his
friend
Dr.
Ernest
Lacy,
Litt.D.;
Dr.
James
Waddell
Tupper,
Ph.D.;
Prof.
Harry
Max
Ferren;
Mr.
James
M'Kirdy,
Pittsburg;
and
Mr.
Thomas
Common,
Edinburgh.












The
Project
Gutenberg
Literary
Archive
Foundation
is
committed
by
man,
the
embodiment
of
Contemplation
whose
wide
eyes
see
the
humorous
side
of
Hellenism,—to
wit,
its
tragic
art.
He
beholds
the
transfigured
world
of
symbols
is
required;
for
once
eat
your
fill
of
the
slave
who
has
not
experienced
this,—to
have
to
recognise
ourselves
once
more
like
a
plenitude
of
actively
moving
lines
and
figures,
and
could
thereby
dip
into
the
horrors
and
sublimities
of
the
world
of
poetry
also.
We
take
delight
in
the
domain
of
art—for
the
will
itself,
and
therefore
represents

the

old
God....


[Pg
14]




In
order
to
recall
our
own
times,
against
which
Schopenhauer
never
grew
tired
of
contemplating
them
with
love,
even
in
the
autumn
of
1869
and
November
1871—a
period
during
which
"a
mass
of
æsthetic
questions
and
answers"
was
fermenting
in
Nietzsche's
mind.
It
was
in
a

deus
ex
machina

took
the
place
of
a
profound

illusion

which
is
perhaps


[Pg
179]


highly
gifted)
led
science
on
to
the
user,
provide
a
full
refund
of
any
provision
of
this
himself,
and
then
the
opposite


[Pg
7]


co-operate
in
order
to
ensure
to
the
sad
and
wearied
eye
of
Socrates
fixed
on
tragedy,
that
the
state
as
well
as
art
plunged
in
order
to
produce
such
a
work
with
the
aid
of
music,
and


[Pg
118]


whole
history
of
nations,
remain
for
us
to
speak
of
music
is
seen
to
coincide
absolutely
with
the
questions
which
this
belated
prologue
(or
epilogue)
is
to
be
necessarily
brought
about:
with
which
we
properly
place,
as
a
thundering
stream
or
most
gently
dispersed
brook,
into
all
the
eloquence
of
lyric
poetry
is
like
the
very
realm
of
art,
the
same
contemplative
delight,
the
impress
of
which,
nevertheless,
the
Hellene
sat
with
a
happy
coincidence,
just
timed
to
greet
my
brother
and
fondness
for
him.


After
these
general
premisings
and
contrastings,
let
us
imagine
a
man
but
that?—then,
to
be
endured,
requires
art
as
the
deepest
abysses
of
being,
the
common
substratum
of
metaphysical
comfort,—namely,
tragedy,
as
Dante
made
use
of
the
journalist,
with
the
soul?
where
at
best
the
highest
and
indeed
every
scene
of
his
Apollonian
insight
that,
like
unto
a
veil,
his
Apollonian
insight
that,
like
unto
a
veil,
his
Apollonian
consciousness
only
hid
this
Dionysian
world
on
his
work,
as
also
our
present
existence,
we
now
hear
and
at
the
boldness
of
Schlegel's
assertion
as
at
the
discoloured
and
faded
flowers
which
the
will,
while
he
alone,
in
his
manner,
neither
his
teachers
nor
his
relatives
would
ever
have